SpecGram >> Vol CLII, No 4 >> The Sorno Script—Metalleus
The Sorno Script
As is glaringly obvious to the merest twit, a human utterance,
objectively and dispassionately considered, consists chiefly of a
series of vowels, interrupted occasionally by heterogeneous and
evanescent perturbations of formant patterns, called consonants.
Nothing could be clearer, than that speech is essentially a matter
of vowels. It might even be said that a consonant is nothing but
a gleam in the eye of a vowel.
Nonetheless, certain ancient peoples, innocent as the driven
snow of the above fact, converged with one mind upon systems of
writing in which only consonants were, for the most part, written.
This perversity was so widely imitated, that all ancient writing
systems, with the exception of the inscrutable Chinese, at one time
or another fell into the error of taking that unit of sound which
is as varied as the proverbial snowflake, and scarcely more
lasting, to be the very building block of speech.
All, that is, but one. As the reader may schon already have
surmised, I refer to the original writing system of Sorno, the
Moundsbar relative spoken in late Roman times on Guam and Saipan,
and researched extensively, as I have mentioned before, by my
colleague Higgins. In this script, only vowels were represented;
this constituted a very significant advancement, in anticipating
the sound spectrogram by some two thousand years, and in
representing a great step forward in economy to boot.
With regard to economy, we know well that a typical language
has fewer, usually considerably fewer, vowels than consonants, and
especially, if you don’t count the long vowels separately. Sorno,
like modern Moundsbar, had seven vowels, and its consonants
numbered about fifteen. The need to learn only seven symbols,
rather than fifteen, in order to represent any utterance, is
obviously to be preferred.
One should not be misled by the “silent” vowels of certain
modern languages such as English. Few indeed could make out the
message: o auae ae oe ooa a oe. But compare the same message in
Spanish, which is not known for its silent letters: a aoia e o iioa
iee a ooae e oae. It is thus astonishing that consonant writing
is praised for its efficiency.
Unfortunately the Sorno script was rather short-lived (lasting
according to Higgins only a few months) before being abruptly
replaced by a system of pictographs. My own suspicion is that some
natural cataclysm accounts for its sudden disappearance, while
Higgins seeks a cognitive explanation.
The Sornos wrote by carving the vowels into solid rock with
entrenching tools, so what data there is is in quite good
condition. We also know that the vowel symbols were called
“animals.” Why, is a mystery. I would gladly provide a specimen
of the script, but for the limitations of the medium. We are in
the process of wearing down the usual resistance of the scholarly
journals to our findings, and some texts should appear shortly.
—Metalleus
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